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20121212
20121212
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. (henry moore) recently, there was a book published on my work by some jungian psychologist, a very good writer named nauman. i think the title was the archetypal world of henry moore and he sent me a copy, which he asked me to read. but after the first chapter i thought i better stop because it explained too much. and i thought it might stop me from ticking over if i went on and knew it all. (narrator) moore was english to the bone, he carved his reputation in english elm and boxwood, cumberland alabaster, and portland stone. when his art made him wealthy he turned to bronze and marble, but he never turned away from england. for all its rain and taxes it was h and he cleared a new path for english art. (anthony caro) you look at the history of english art, and it's pretty miserable after constable and turner and so on, and henry, somehow, was competing with braque and picasso and so on. you know, he was in that same league. and so it made people realize you can be an artist - and you can be english. (narrator) sculpture made him famous, his celebrity enshrined in wax at madame tussaud's
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